I was so angry. Livid. It was almost difficult to stay upset though. Odd. I would find myself, eyes closed, under the blanket, in a half conscious slumber where a random assortment of loose thoughts would swirl and mingle until, at one or two certain moments, I’d remember the anger — try to hold on to it — actually work to keep it from slipping again. I wanted to be mad. It somehow satisfied some strange desire. My feeling of hostility built. I was getting furious. At least.. I would have like to think so.
On the way to the metro I still felt this strange, slightly subdued, slightly subversive, slightly trivial, slightly mocking tension. I was anything but light-footed. Limbs performed their habitual practices; I walked, foot in front of the other, arms at my sides, hands stuffed in my jacket pockets — mechanical and angsty, I stepped. I wanted to bitch; I wanted the angst… (I was on my way to get ramen).
The train came.
The accordion player sat, played (softly); a child swing around the car’s center pole; a woman slept; a man read; a couple conversed; some stepped in, some stepped out — but the accordion’s sweeping, breathing sounds and the accordion player’s fingers, traveling the keys like a spider tip-toeing atop the strings of a harpsichord, remained. It was lovely — melting — and it made my efforts to harbor this anger, this ill, so much more of a trial. Damn him.
So many actions and interactions in the car; so much life — alive — within it. What a pleasure it was to observe; feel; experience. The proximity. The expressions. The incredible life that exists. The talent; the hope; the eyes; the voices; the sounds; the feelings; the sensory — beyond my comprehension — beyond my ability rhetorical to express such brilliance. Utterly incredible. So incredible, it almost puts me in a state of anxiety — an anxiousness of caged energy wanting to burst out, threatening to burst out — until I am nothing more than a hot puddle of bubbling goo. Somehow it feels that I have a love of life the intangible, inimitable thing we refer to with this slight and pictorial combination of four little letters (of the simplest little lines) that I am overwhelmed by its possibility, its existence, by its… it. Such a pleasure, such a thrill, a scare, a worry, a beauty. The things it brings: the expression, the art, the seismology of variety in every single thing. It is a comet — bright-burning, brilliant, and sometimes, hardly bearable. It is romance ad pessimism; hope and disdain; it is sensory and ours.
I am still in disbelief.
And I am still a little bit angry… but only when I try.
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(please forgive my lack of editing)